Resumen del episodio 33 de The Epoch of Miyu

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Wei Siyuan reviews the latest financial reports and realizes that the hotel’s profits have already reached 10 percent, bolstered by the recent college entrance exam season and the popularity of the boat-shaped pastries. Fearing that Ji Feng’s momentum will soon fulfill the 30 percent profit requirement of the VAM agreement, he demands immediate intervention. Director Qian assures him that he will tighten the audit process to stifle further growth.

The effects are felt immediately: the setup for an upcoming forum is abruptly halted, and Xu Miyu hears from frustrated colleagues that many of their high-end clients are being lured away by Kuanli while their own proposals are being rejected for trivial reasons. During an evening walk, Xu Miyu expresses her desire to help Ji Feng navigate the internal sabotage from the Sales Department.

However, Ji Feng reassures her that she is already doing enough by managing the friction with Lu Zhenzhen and Director Qian. Later, Xu Miyu meets with Tan Jizhou, who remarks on her remarkable transformation. He remembers her once being like a startled bird, constantly trying to please everyone, but now finds her confident and radiant.

Tan Jizhou confesses that his "Years" art exhibition in Hong Kong is in jeopardy because the standardized venues there cannot capture the fluid, atmospheric sense of time he envisions. Xu Miyu suggests using Purong’s irregular banquet halls, proposing to merge the two spaces to create a "time tunnel" effect. Thrilled by the idea, Tan Jizhou embraces her in a moment of pure excitement. When Xu Miyu brings the proposal to Ji Feng, she is met with a firm rejection.

Ji Feng argues that the cost of merging the halls is too high and the risk of failure is too great given the hotel’s current precarious situation. Their professional disagreement quickly turns personal, with Xu Miyu questioning whether Ji Feng is speaking as her boss or her boyfriend, accusing him of not trusting her capabilities. The tension lingers into the night; Xu Miyu becomes so absorbed in refining her plan that she misses a movie date with Ji Feng.

Through a series of reflections, Ji Feng realizes how their professional conflicts are beginning to kill the romance, making their relationship feel more like a rational partnership than a love story. Xue Rui notices Ji Feng’s distraction while discussing a potential collaboration with the New Zealand-based Yuntian Group.

Sensing Ji Feng's jealousy regarding Tan Jizhou, Xue Rui takes him out for a meal of "Assorted Cold Dish with Aged Vinegar," teasingly suggesting that Ji Feng's bad mood is fueled by "sourness" toward a romantic rival. He warns Ji Feng not to let personal feelings cause the hotel to miss a genuine opportunity. Meanwhile, Li Qiaoqi encourages Xu Miyu to stay firm, noting that her artistic vision is just as valid as Ji Feng’s.

Motivated, Xu Miyu stays up late to complete a comprehensive proposal filled with detailed risk assessments and data to prove the exhibition's profitability. Xu Miyu’s meticulous work eventually convinces Ji Feng, who not only approves the exhibition but also promotes her to Sales Manager to help her bypass further bureaucratic hurdles. Meanwhile, Tan Jizhou faces pushback from his CFO and ex-wife, Cindy, regarding the two million penalty for canceling their Hong Kong venue.

Tan Jizhou insists that the move to Shanghai is worth the "tuition fee" to achieve his artistic vision. Back at Purong, Wei Siyuan is alarmed to learn that the monthly profit has reached 18. 6 percent. To hinder Ji Feng’s success, Director Qian decides to manipulate the internal management of the exhibition. He assigns Lu Zhenzhen to oversee the internal logistics and coordination, effectively limiting Xu Miyu's role to only communicating with the client.

As the exhibition setup begins, Tan Jizhou holds a press conference where he praises Purong Hotel for providing the tangible respect and understanding his art requires. While the exhibits are moved into storage under heavy security, a suspicious employee from the engineering department is seen loitering near the hall. Despite the underlying corporate schemes, the creative team continues their work.

Tan Jizhou introduces his core staff, including Cindy, to Ji Feng and Xu Miyu, specifically highlighting Xu Miyu's attentive and insightful nature. As the centerpiece of the exhibition, a work titled "Years," is finally mounted, Tan Jizhou invites Xu Miyu to personally cover the painting with a curtain as a gesture of gratitude for the possibility she created for him.

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